Art pregled 2018.godine / 2018 year in art review

“Krug života” prikazan na 31.Stuttgarter Filmwinter Festu, Štutgart, Nemacka 2018. / “The Circle of life” is shown at 31. Stuttgarter Filmwinter Fest, Stuttgart, Germany 2018

31. Stuttgarter Filmwinter Fest, Stuttgart, Germany
Wilhelmspalais
Konrad-Adenauer-Straße 2
february 2018

The Festival Team will open the doors to the Filmwinter Palais (Wilhelmspalais) from February 8 – 11, 2018. It is the 31st edition of Filmwinter Stuttgart – Festival for Expanded Media with this year’s motto „Inside the Fluffy Filter Bubble“ – On risks and side-effects of cat pictures and other comfort zones. The whole Filmwinter team of Wand 5 e.V. , the festival’s support association, shouts: “Let’s dive into the fluffy filter bubble!” With this edition, the Festival is diving deeply into the comfort zones and perception bubbles in which our lives are taking place. The festival’s core is made up of the best submissions from the international competition categories of short film, Media in Space and Network Culture.

Program: 31.Stuttgarter

Artwork:

“Krug života” je stara bakina chipka koju sam petlju po petlju parao i svaki oparani deo chipke skenirao kako bih kasnije sve te petlje digitalno pokrenuo u jedan niz i tako ponovo ispleo chipku, ali ovaj put novom savremenom tehnologijom. To je i pricha o kreativnom kontaktu sa pretcima, ali i o životnom krugu svakog ponaosob.

“Circle of life” is my old grandma’s lace which I did unlaced, part by part, and each part of the lace scanned to make them, digitally in a moving line and make from it a new lace, but with a new technology. This is a story of my contact with my ancestors, and the circle of life of each of us.

„Circle of life“ zeigt die Spitze meiner alten Großmutter, die ich Stück für Stück aufgedröselt und dann einzeln gescannt habe, so dass digital eine sich bewegende Schnur entsteht, aus der sich neue Spitze herstellen lässt – allerdings mit neuer Technologie. Das ist die Geschichte meiner Vorfahren und dem Kreislauf des Lebens von uns allen.

Music: Adrian Portia – “Two tribes” http://adrianportia.com/

Video Milan Zulic: https://vimeo.com/150488480




“Krug života” bice prikazan na Evropskom festivalu umetnosti Eurovideo 2018. u Belgiji, Francuskoj, Luksemburgu, Italiji i Crnoj Gori / “The Circle of life” will be shown at European Art Festival Eurovideo 2018 in Belgium, France, Luxembourg, Italy and Montenegro

The festival EUROVIDEO 2018 is an important event around video art that shows the audience, videos in competition that are realised by new European directors, besides a series of remarkable videos that are presented as « Cartes Blanches » from Belgian collections. The heart of this new edition is the Théâtre de Liège. The festival will expand in a wider geographic zone however, in various European art centres. EUROVIDEO 2018 addresses all directors who work around the relationship with their medium and their identity in the world.

15 March 2018.
Théâtre de Liège, Belgium
Le Manège – Scène Nationale de Maubeuge, France
Forum d’ART Contemporain Casino, Luxembourg
Centar za multimedijalnu produkciju CEZAM, Podgorica, Montenegro
La Nuova Pesa, Centro Arte Contemporanea, Rome, Italy
Museum of Contemporary Art, Antwerp, Belgium

Dobrodošli / Welcome / Bienvenue / Benvenuto

Program: Belgium


“IDentitet” ReFoto, Beograd

Grupna izložba IDentitet / Group exhibition IDentity
Pro3or galerija / Pro3or gallery
30.mart / 9.april
Beograd

100 najboljih ex Yu fotografija (od pristiglih 2634 radova) koje je izabrao žiri u sastavu Nebojša Babic, profesionalni fotograf – ULUPUDS; Imre Szabo, fotoreporter -ULUPUDS i el gvojos, fotograf – ULUPUDS.

100 best ex Yu photographs (of the received 2634 works) selected by the jury Nebojša Babic, professional photographer – ULUPUDS; Imre Szabo, photoreporter -ULUPUDS and el gvojos, photographer – ULUPUDS.

Tekst iz kataloga
Na godišnjoj ReFoto izožbi „Identitet“ u galeriji „Pro3or“ predstavicemo sve one posebnosti koje nas razlikuju jedne od drugih, snimke na kojima je najvažnija stvar identitet predstavljene osobe. Identitet koji svakog od nas cini posebnim kao što su izgled, licnost, vrline, mane ali i sve ostale individualne karakteristike. Medju raznim objašnjenjima identiteta nalaze se i ona koja predstavljaju pitanja „ko sam“, „odakle sam“ i „cemu težim“. Prevedeno u fotografski jezik sve ovo znaci traganje i snimanje portreta na kojima je pored uobicajenog prikaza lica, predstavljeno i okruženje u kojem snimljena osoba živi ili radi. Identitet pojedinca takodje je nešto što nastaje kao proizvod specificnosti vremena, okruženja i društvenog uredjenja, a na nama je da svojim licnim pristupom i izborom nacina kojim pokazujemo pojedine osobe (ili grupe) ukažemo na one osobenosti koje smatramo najvažnijim i prikrijemo sve ono što ne treba pokazati.






Sculpture

Skulptura iz kolekcije “Portreti i figure”, 2 metra, tkanina, plastika, kanap, chipka, akrilne boje /
Sculpture from the collection “Portraits and Figures”, 2 meters, fabric, plastic, rope, lace, acrylic paint











Grupna izložba “Secanja”, Millepiani, Rim, Italija 2018 / Collective exhibition “Memories” Millepiani, Rome, Italy 2018

Mostra Collettiva internazionale “Memories” 15 Ottobre 2018, Millepiani, Roma, Italy

Curated by Loosenart at Millepiani, Rome.
Evento curato da LoosenArt, Roma.
www.loosenart.com

Ingresso Libero

MEMORIES

The exhibition season at the Space Millepiani in Rome starts again with Memories, open to public from the 5th of October to the 1st of November 2018. Memory – as already suggested by the title – is the main theme of this collective exhibition showing photographic and digital artworks made by a group of artists coming from all over the world.

All the pictures selected and exhibited here intend to reinterpret different dimensions (personal as well as public, individual as well as shared), suggesting a prevailing interest towards the past as marked by the extended use of the black-and-white feature.
Everything we remember, everything we have lived personally or something we read, heard or saw is the predominant subject of a reality observed and analysed from infinitely different points of view.
Public and private, personal and collective are the two conflicting protagonists of the exhibition. Those who worked on the first aspect were able to create pictures centred on roots, families, grief (for a loss) or hope (for the future). The result is a personal diary built on images potentially causing a visual ‘madeleine effect’: hit by those visual fragments, the public is immediately involved in other people’s story, in other people’s life.
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It is not important whether they represent details, portraits or still lifes: either poetic compositions, old family pictures as well as unfamiliar scenes can suddenly become our stories too.
On the other side, all the artists more involved into the public sphere and interested in serious themes mainly created series of documentaristic and objective images. They developed various photographic reportages around topics like climate change, obsolete technologies or the landscape’s changes through time.
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More than simple descriptions, they can be better defined as warnings, statements against the government and the authorities.
All in all, Memories can be considered as an exhibition on our world, as captured by the artist’s eye and then graphically reinterpreted, consciously corrupted, otherwise reproduced.

***

La stagione espositiva presso lo Spazio Millepiani di Roma prosegue con la mostra “Memories”, aperta al pubblico dal 5 ottobre all’1 novembre 2018. Il tema principale della collettiva, già messo in evidenza dal titolo, è quello della memoria, del ricordo, che fa capolino attraverso una serie di opere fotografiche e digitali di artisti internazionali selezionati per l’occasione.
Le immagini, perlopiù in bianco e nero – a segnalare l’interesse nei confronti di una dimensione passata, o comunque diversa da quella in cui viviamo –, intendono ripensare la sfera privata o collettiva e condivisa attraverso una chiave comune, un filo conduttore. La memoria, ossia ciò che abbiamo vissuto personalmente, oppure qualcosa che ricordiamo di aver letto, sentito o visto, è il soggetto pressoché unico di una stessa realtà osservata in modi infinitamente diversi.
Pubblico e privato, personale o collettivo sono i due principali binomi attorno a cui ruotano i lavori in mostra.

LoosenArt

Shots from Exhibition




“Krug života” u selekciji Rome Art Week, Ospizio Giovani Artisti, Rim, Italija / “The Circle of life is in the selection of Rome Art Week, Ospizio Giovani Artisti , Rome, Italy

Rome Art Week
La settimana dell’arte contemporanea
Exhibition: IN MEMORIAM
Ospizio Giovani Artisti, OGA
23. ottobre – 2 novembre 2018
Via Cernala 15, Rome, Italy

Dobrodošli / Welcome / Benvenuto

Artists: Milan Zulic, Neno Belchev, Laís Catalano Aranha, Roy Ferré, Werther Germondari, John Graham, Julian Harper, Nari Hong, Vincenzo Monticelli Cuggiò, Mauricio Sanhueza, il7-Marco Settembre, José Simões.

The death and the memory of those who are no longer among us are the main themes of this exhibition. The loss of someone or a past that is dear to us is treated with very different means and intentions, and with very poetic approaches. But, among the works of the twelve artists present, to dissolve the funereal climate, we also find surreal, political and desecrating works. All as always coming from the OGA Collection.

Program: OGA

Video Milan Zulic: https://vimeo.com/150488480




***

Grupna izložba Binnar – Festival de Artes, Portugalija 2018 / Collective exhibition Binnar – Festival de Artes, Portugal 2018

Slike, skulpture, performans, video, fotografije, muzika i instalacije
Nov 12 – Dec 1 2018
Vila Nova de Famalicão
Selekcija medjunarodnih umetnika
Ziad Naitadi, Muriel Montini, KAME, Milan Zulic, Sinasi Günes, Antonia González Alarcón, Shylah P. Hamilton, DEMSAN (Daria Kotchetkova, Elizaveta Ostapenko, Marina Shtyk, Anastasia Prahova, Laure Catugier, Yeh Yili, Erik Thornqvist, Nada Hasan, Nara Walker, Aksel Haagensen, Christina Gednalske, Adam Mathieu

Program: Binnar

Paintings, sculptures, performance, video, photos, music and installations
Nov 12 – Dec 1 2018
Vila Nova de Famalicão
Selection of international artists
Ziad Naitadi, Muriel Montini, KAME, Milan Zulic, Sinasi Günes, Antonia González Alarcón, Shylah P. Hamilton, DEMSAN (Daria Kotchetkova, Elizaveta Ostapenko, Marina Shtyk, Anastasia Prahova), Laure Catugier, Yeh Yili, Erik Thornqvist, Nada Hasan, Nara Walker, Aksel Haagensen, Christina Gednalske, Adam Mathieu

Program: Binnar

MARA:TONE é uma série de vídeos de diferentes proveniências e vontades, agrupados na liberdade dos sentimentos e das urgências, tenham eles ou não por base de criação a ausência dessa mesma liberdade. O corpo viaja pela performance, arquitectura, empatia, sonho e perda. E nessa viagem chega a ser um não-corpo
Eu e o outro. Nós e o mundo. Eu e a natureza. A noção de fronteira, física, espiritual, mental, moral. Relação com o tempo. Relação com os objectos, com o que eles carregam para o indivíduo e as sociedades. Relação com o quotidiano.

Video Milan Zulic: https://vimeo.com/150488480




Press 2018




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